(By the way, something has been clarified to me: Sidi Djeli Dioubaté, the creator of Mamaya, was not Missia’s father but rather, her grandfather. It was his three sons that play in the Alberts [and subsequent Rouget] recordings, and the eldest, Sidi Mamadi Dioubaté, was Missia’s father.)
*During our trip we listened to only Guinean music--often at full volume and at least 10 times over to Missia’s and Abou’s new CDs. And man, was it interesting to hear (in English, French, and whatever Maninka I could make out) Famoro, Missia, and Baw discussing, singing along to, highlighting certain parts of, tracing new melodic combinations for, and arguing about the history of the tracks.
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I returned from Bloomington with just minutes to spare to jump in the shower, get dressed and head over to the first part of the wedding celebration (of which, a video was just posted.) Tonight is the ceremony and reception. Missia and Famoro will perform again, this time with a DJ backing them. I’m pretty sure that once again I’ll end up being the money collector and sorter, but we’ll see. Maybe I’ll be too busy shaking it up. :)
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